{"id":1120,"date":"2010-11-12T12:15:46","date_gmt":"2010-11-12T10:15:46","guid":{"rendered":"http:\/\/julienlahmi.com\/professeur"},"modified":"2011-11-25T17:47:55","modified_gmt":"2011-11-25T15:47:55","slug":"theo","status":"publish","type":"page","link":"https:\/\/julienlahmi.com\/professeur\/les-annees-passees\/2010-2011\/personnages-spectacle2011\/theo\/","title":{"rendered":"Th\u00e9o"},"content":{"rendered":"
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Pr\u00e9sentation sonore de Th\u00e9o<\/a><\/p>\n

<\/span><\/span>R<\/span><\/span>\u00e9<\/span><\/span>f<\/span>\u00e9<\/span><\/span>rences <\/span><\/span>: Les carnets du sous-sol (Dosto<\/span>\u00ef<\/span><\/span>evsky), Les lumi<\/span>\u00e8<\/span><\/span>res de la ville (Charlie Chaplin), En attendant Godot (Beckett)<\/span><\/p>\n

<\/span><\/span>Animal :<\/span> Loup-l<\/span>\u00e9<\/span><\/span>zard<\/span><\/p>\n

<\/span><\/span>Musique ext<\/span><\/span>\u00e9<\/span><\/span>rieur :<\/span><\/span> BO d\u2019Old Boy (\u00ab\u00a0Look who\u2019s talking\u00a0\u00bb et th<\/span>\u00e8<\/span><\/span>me d\u2019Ho Dae Su)<\/span><\/p>\n

<\/span><\/span>Musique int<\/span><\/span>\u00e9<\/span><\/span>rieure :<\/span><\/span> L\u2019Ave Maria de Caccini<\/span><\/p>\n

<\/span><\/span>Caract<\/span><\/span>\u00e8<\/span><\/span>re<\/span><\/span> : Cyclothymique (extr<\/span>\u00ea<\/span><\/span>mement amer ou excessivement enthousiaste); arrogant et cynique avec les passants; s\u2019attache aux gens pour des raisons soudaines et obscures; exalt<\/span>\u00e9<\/span><\/span> avec les proches<\/span><\/p>\n

<\/span><\/span>Backstory :<\/span> A <\/span>\u00e9<\/span><\/span>t<\/span>\u00e9<\/span><\/span> un grand clarinettiste, a tu<\/span>\u00e9<\/span><\/span> sa femme parce qu\u2019elle l\u2019a tromp<\/span>\u00e9<\/span><\/span>, a pass<\/span>\u00e9<\/span><\/span> treize ans en prison<\/span><\/p>\n

<\/span><\/span>Profession <\/span>:Vagabond<\/span><\/p>\n

<\/span><\/span>Objectif <\/span>: Retrouver la musique perdue<\/span><\/p>\n

<\/span><\/span>Evolution<\/span> : Des fausses notes <\/span>\u00e0<\/span><\/span> l\u2019harmonie, de la douleur <\/span>\u00e0<\/span><\/span> la paix, du laid au beau<\/span><\/p>\n

<\/span><\/span>Des choses qu’il est capable de dire :<\/span> \u00ab\u00a0Je sais que je suis pire qu\u2019une b<\/span>\u00ea<\/span><\/span>te, pourtant moi aussi j\u2019ai le droit de vivre\u00a0\u00bb ; \u00ab\u00a0Seul le silence, mon fid<\/span>\u00e8<\/span><\/span>le ami, demeure, et la terre est vide, irr<\/span>\u00e9<\/span><\/span>m<\/span>\u00e9<\/span><\/span>diablement\u00a0\u00bb ; \u00ab\u00a0Pourquoi m\u2019as-Tu abandonn<\/span>\u00e9<\/span><\/span>?\u00a0\u00bb<\/span><\/p>\n

<\/span><\/span>Costumes :<\/span> Un grand manteau r<\/span>\u00e2<\/span><\/span>peux, un pantalon us<\/span>\u00e9<\/span><\/span> aux genoux, de grosses chaussures de marche<\/span><\/p>\n

<\/span><\/span>Objets caract<\/span><\/span>\u00e9<\/span><\/span>ristiques:<\/span><\/span> Une fl<\/span>\u00fb<\/span><\/span>te, une bo<\/span>\u00ee<\/span><\/span>te <\/span>\u00e0<\/span><\/span> musique<\/span><\/p>\n

<\/span><\/span>gestes et mimiques caract<\/span><\/span>\u00e9<\/span><\/span>ristiques:<\/span><\/span> Se prend la t<\/span>\u00ea<\/span><\/span>te <\/span>\u00e0<\/span><\/span> deux mains ou se gratte les cheveux lorsqu\u2019il r<\/span>\u00e9<\/span><\/span>fl<\/span>\u00e9<\/span><\/span>chit; balance le corps d\u2019avant en arri<\/span>\u00e8<\/span><\/span>re lorsque les souvenirs de son meurtre ou de la prison lui reviennent ; tousse lorsqu\u2019il est <\/span>\u00e9<\/span><\/span>mu ou g<\/span>\u00ea<\/span><\/span>n<\/span>\u00e9<\/span><\/span>; pointe du doigt quand il se moque ou menace<\/span><\/p>\n

<\/span><\/span>Construction physique du perso :<\/span> A les <\/span>\u00e9<\/span><\/span>paules vo<\/span>\u00fb<\/span><\/span>t<\/span>\u00e9<\/span><\/span>es; tra<\/span>\u00ee<\/span><\/span>ne des pieds; mouvements brusques; n\u2019a pas la notion des distances physiques avec autrui, m<\/span>\u00ea<\/span><\/span>me s\u2019il pr<\/span>\u00e9<\/span><\/span>f<\/span>\u00e8<\/span><\/span>re se tenir <\/span>\u00e0<\/span><\/span> l\u2019<\/span>\u00e9<\/span><\/span>cart; la station debout lui est tr<\/span>\u00e8<\/span><\/span>s p<\/span>\u00e9<\/span><\/span>nible et il aime le contact du sol (on le trouvera la majeure partie du temps adoss<\/span>\u00e9<\/span><\/span> <\/span>\u00e0<\/span><\/span> une muraille ou allong<\/span>\u00e9<\/span><\/span> par terre)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"\n\n\nPr\u00e9sentation sonore de Th\u00e9o\n R\u00e9f\u00e9rences : Les carnets du sous-sol (Dosto\u00efevsky), Les lumi\u00e8res de la ville (Charlie Chaplin), En attendant Godot (Beckett)\n Animal …","protected":false},"author":2,"featured_media":0,"parent":1072,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/julienlahmi.com\/professeur\/wp-json\/wp\/v2\/pages\/1120"}],"collection":[{"href":"https:\/\/julienlahmi.com\/professeur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/julienlahmi.com\/professeur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/julienlahmi.com\/professeur\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/julienlahmi.com\/professeur\/wp-json\/wp\/v2\/comments?post=1120"}],"version-history":[{"count":5,"href":"https:\/\/julienlahmi.com\/professeur\/wp-json\/wp\/v2\/pages\/1120\/revisions"}],"predecessor-version":[{"id":1148,"href":"https:\/\/julienlahmi.com\/professeur\/wp-json\/wp\/v2\/pages\/1120\/revisions\/1148"}],"up":[{"embeddable":true,"href":"https:\/\/julienlahmi.com\/professeur\/wp-json\/wp\/v2\/pages\/1072"}],"wp:attachment":[{"href":"https:\/\/julienlahmi.com\/professeur\/wp-json\/wp\/v2\/media?parent=1120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}